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Bezhin Meadow (Бежин луг, Bezhin lug) is a 1937 Soviet propaganda film, famous for having been suppressed and believed destroyed before its completion. Directed by Sergei Eisenstein, it tells the story of a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. The film draws its title from a story by Ivan Turgenev, but is based on the (largely fabricated) life story of Pavlik Morozov, a young Russian boy who became a political martyr following his death in 1932, after he supposedly denounced his father to Soviet government authorities and subsequently died at the hands of his family. Pavlik Morozov was immortalized in school programs, poetry, music, and film.
Commissioned by a communist youth group, the film's production ran from 1935 to 1937, until it was halted by the central Soviet government, which said it contained artistic, social, and political failures. Some, however, blamed the failure of Bezhin Meadow on government interference and policies, extending all the way to Joseph Stalin himself. In the wake of the film's failure, Eisenstein publicly recanted his work as an error. Individuals were arrested during and after the ensuing debacle. (Full article...)
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Nikita Zotov, rotogravure by Alexandr Osipov, 1882–1883
Not much is known about Zotov's life aside from his connection to Peter. Zotov left Moscow for a diplomatic mission to Crimea in 1680 and returned to Moscow before 1683. He became part of the "Jolly Company", a group of several dozen of Peter's friends that eventually became The All-Joking, All-Drunken Synod of Fools and Jesters. Zotov was mockingly appointed "Prince-Pope" of the Synod, and regularly led them in games and celebrations. He accompanied Peter on many important occasions, such as the Azov campaigns and the torture of the Streltsy after their uprising. Zotov held a number of state posts, including from 1701 a leading position in the Tsar's personal secretariat. Three years before his death, Zotov married a woman 50 years his junior. He died in December 1717 of unknown causes. (Full article...)
At the 2008 NHL Entry Draft, Filatov was selected sixth overall by the Blue Jackets. Filatov was the top-ranked European skater by the NHL Central Scouting Bureau. Filatov played two seasons with the Blue Jackets organization. During the 2009–10 season, Filatov was unhappy with his situation in Columbus and was loaned to CSKA Moscow for the remainder of the season. At the 2011 NHL Entry Draft, the Blue Jackets then traded him to Ottawa in exchange for a third-round draft pick. In December 2011, the Senators loaned Filatov to CSKA Moscow for the balance of the 2011–12 season. The following season, Filatov signed with Salavat Yulaev. The Senators chose not to tender Filatov a qualifying offer, making him a free agent. (Full article...)
Viatkogorgon is a genus of gorgonopsian (a type of therapsid, the group that includes modern mammals) that lived during the Permian period in what is now Russia. The first fossil was found at the Kotelnich locality near the Vyatka River and was made the holotype of the new genus and speciesV. ivachnenkoi in 1999. The generic name refers to the river and the related genus Gorgonops—the gorgons of Greek mythology are often referenced in the names of the group. The specific name honors the paleontologist Mikhail F. Ivakhnenko. The holotype skeleton is one of the most complete gorgonopsian specimens known and includes rarely preserved elements such as gastralia (abdominal ribs) and a sclerotic ring (a bony ring inside the eye). A larger, but poorly preserved specimen has also been assigned to the species.
The holotype specimen is about 80 cm (31 in) long, including the 14 cm (5.5 in) long skull, making Viatkogorgon a relatively small gorgonopsian. The assigned specimen is larger, with a 17 cm (6.7 in) long skull, and the holotype may have been young. As a gorgonopsian, it would have been skeletally robust with a somewhat dog-like stance, though with outwards-turned elbows. The snout was high, and the teeth were generally recurved (curved backward), pointed, and serrated. The canines (the saber teeth) were much larger than the incisors at the front and postcanines behind but relatively small for a gorgonopsian. Viatkogorgon was characterized by its unusually large eye socket and sclerotic ring. It was distinct from other gorgonopsians in that the lower end of the postorbital bar was narrow, and it had a very large sulcus (or furrow) at the back of the skull on each side. Since gorgonopsians have been described mainly from skulls, it is uncertain how widespread the postcranial features of Viatkogorgon were in other members of the group. The skeleton of Viatkogorgon was unusual in having gastralia, in that the tail was differentiated with a front and hind part, with the former less flexible, and in that some of the foot bones and its digits were reduced in size and interconnected. (Full article...)
Born and raised in Georgia, in the Russian Empire, Ordzhonikidze joined the Bolsheviks at an early age and quickly rose within the ranks to become an important figure within the group. Arrested and imprisoned several times by the Russian police, he was in Siberian exile when the February Revolution began in 1917. Returning from exile, Ordzhonikidze took part in the October Revolution that brought the Bolsheviks to power. During the subsequent Civil War he played an active role as the leading Bolshevik in the Caucasus, overseeing the invasions of Azerbaijan, Armenia, and Georgia. He backed their union into the Transcaucasian Socialist Federative Soviet Republic (TSFSR), which helped form the Soviet Union in 1922 and served as the First Secretary of the TSFSR until 1926. (Full article...)
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Modern interpretation of Rus'Varangians and their longships in Gardariki, by Nicholas Roerich. The Caspian expeditions of the Rus' were military raids undertaken by the Rus' between the late 9th century and c. 1041 on the Caspian Sea shores, of what are nowadays Iran, Dagestan, and Azerbaijan. Initially, the Rus' appeared in Serkland in the 9th century travelling as merchants along the Volga trade route, selling furs, honey, and slaves. The first small-scale Viking raids took place in the late 9th and early 10th century. The Rus' undertook the first large-scale expedition in 913; having arrived on 500 ships, they pillaged in the Gorgan region, in the territory of present-day Iran, and more to the west, in Gilan and Mazandaran, taking slaves and goods. On their return, the northern raiders were attacked and defeated by the Khazars in the Volga Delta, and those who escaped were killed by the local tribes in the middle Volga.
During their next expedition in 943, the Rus' captured Bardha'a, the capital of Arran, in the modern-day Republic of Azerbaijan. The Rus' stayed there for several months, killing many inhabitants of the city and amassing substantial plunder. It was only an outbreak of dysentery among the Rus' that forced them to depart with their spoils. Sviatoslav, prince of Kiev, commanded the next attack, which destroyed the Khazar state in 965. Sviatoslav's campaign established the Rus's hold on the north-south trade routes, helping to alter the demographics of the region. Raids continued through the time period with the last Scandinavian attempt to reestablish the route to the Caspian Sea taking place in c. 1041 by Ingvar the Far-Travelled. (Full article...)
The 1907 Tiflis bank robbery, also known as the Erivansky Square expropriation, was an armed robbery on 26 June 1907[a] in the city of Tiflis (present-day Tbilisi, the capital of Georgia) in the Tiflis Governorate in the Caucasus Viceroyalty of the Russian Empire. A Bolshevik group "expropriated" a bank cash shipment to fund their revolutionary activities. The robbers attacked a bank stagecoach, and the surrounding police and soldiers, using bombs and guns while the stagecoach was transporting money through Erivansky Square (present-day Freedom Square) between the post office and the Tiflis branch of the State Bank of the Russian Empire. The attack killed forty people and injured fifty others, according to official archive documents. The robbers escaped with 241,000 rubles.
The robbery was organized by a number of top-level Bolsheviks, including Vladimir Lenin, Joseph Stalin, Maxim Litvinov, Leonid Krasin, and Alexander Bogdanov; and executed by a party of revolutionaries led by Stalin's early associate Simon Ter-Petrosian, also known as "Kamo" and "The Caucasian Robin-Hood". Because such activities had been explicitly prohibited by the 5th Congress of the Russian Social Democratic Labour Party (RSDLP) only weeks previously, the robbery and the killings caused outrage within the party against the Bolsheviks (a faction within the RSDLP). As a result, Lenin and Stalin tried to distance themselves from the robbery. (Full article...)
The Polish architect Władysław Horodecki originally constructed the House with Chimaeras for use as his own upmarket apartment building during 1901–02. However, as the years went by, Horodecki eventually had to sell the building due to financial troubles, after which it changed ownership numerous times before finally being occupied by an official Communist Partypolyclinic until the early 2000s. When the building was vacated, its interior and exterior decor were fully reconstructed and restored according to Horodecki's original plans. (Full article...)
At the beginning of the Russo-Japanese War of 1904–1905, Petropavlovsk took part in the Battle of Port Arthur, where she was lightly damaged by Japanese shells and failed to score any hits in return. On 13 April 1904, the ship sank after striking one or more mines near Port Arthur, in northeast China. Casualties numbered 27 officers and 652 enlisted men, including Vice AdmiralStepan Makarov, the commander of the squadron, and the war artistVasily Vereshchagin. The arrival of the competent and aggressive Makarov after the Battle of Port Arthur had boosted Russian morale, which plummeted after his death. (Full article...)
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The Shuttle–Mir program was a collaborative 11-mission space program between Russia and the United States that involved American Space Shuttles visiting the Russian space stationMir, Russian cosmonauts flying on the Shuttle, and an American astronaut flying aboard a Soyuz spacecraft to engage in long-duration expeditions aboard Mir.
The project, sometimes called "Phase One", was intended to allow the United States to learn from Russian experience with long-duration spaceflight and to foster a spirit of cooperation between the two nations and their space agencies, the US National Aeronautics and Space Administration (NASA) and the Russian Federal Space Agency (Roscosmos). The project helped to prepare the way for further cooperative space ventures; specifically, "Phase Two" of the joint project, the construction of the International Space Station (ISS). The program was announced in 1993, the first mission started in 1994 and the project continued until its scheduled completion in 1998. Eleven Space Shuttle missions, a joint Soyuz flight and almost 1000 cumulative days in space for American astronauts occurred over the course of seven long-duration expeditions. In addition to Space Shuttle launches to Mir the United States also fully funded and equipped with scientific equipment the Spektr module (launched in 1995) and the Priroda module (launched in 1996), making them de facto U.S. modules during the duration of the Shuttle-Mir program. (Full article...)
The Rite of Spring (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece and is widely considered to be one of the most influential musical works of the 20th century.
Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes. Le Sacre du printemps was the third such major project, after the acclaimed Firebird (1910) and Petrushka (1911). The concept behind The Rite of Spring, developed by Roerich from Stravinsky's outline idea, is suggested by its subtitle, "Pictures of Pagan Russia in Two Parts"; the scenario depicts various primitive rituals celebrating the advent of spring, after which a young girl is chosen as a sacrificial victim and dances herself to death. After a mixed critical reception for its original run and a short London tour, the ballet was not performed again until the 1920s, when a version choreographed by Léonide Massine replaced Nijinsky's original, which saw only eight performances. Massine's was the forerunner of many innovative productions directed by the world's leading choreographers, gaining the work worldwide acceptance. In the 1980s, Nijinsky's original choreography, long believed lost, was reconstructed by the Joffrey Ballet in Los Angeles. (Full article...)
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Soviet and German deployments near Prokhorovka on the eve of the engagement of 12 July. Positions of the II SS-Panzer Corps are in blue; the red dashed line shows the position of Soviet forces directly opposing the SS-Panzer Corps. The black dashed line is the railway running from Prokhorovka southwest through the Psel corridor (the strip of land between the Psel River and a tributary of the Northern Donets River).
In April 1943, the German leadership began preparing for Operation Citadel, with the objective of enveloping and destroying the Soviet forces in the Kursk salient by attacking and breaking through the base of the salient from north and south simultaneously. The German offensive was delayed several times because of the vacillation of the leadership (Hitler repeatedly delayed launching the attack so that more Tiger tanks could be delivered to the front, hoping that a technical advantage would help him win the offensive) and the addition of more forces and new equipment. The Soviet high command, Stavka, had learned of the German intentions and so used the delay to prepare a series of defensive belts along the routes of the planned German offensive. The Soviet leadership also massed several armies deep behind their defences as the Stavka Reserve. The army group, the Steppe Front, was to launch counteroffensives once the German strength had dissipated. The 5th Guards Tank Army was the primary armoured formation of the Steppe Front. (Full article...)
Pyotr Ilyich Tchaikovsky's relations with the group of composers known as the Belyayev circle, which lasted from 1887 until Tchaikovsky's death in 1893, influenced all of their music and briefly helped shape the next generation of Russian composers. This group was named after timber merchant Mitrofan Belyayev, an amateur musician who became an influential music patron and publisher after he had taken an interest in Alexander Glazunov's work. By 1887, Tchaikovsky was firmly established as one of the leading composers in Russia. A favorite of Tsar Alexander III, he was widely regarded as a national treasure. He was in demand as a guest conductor in Russia and Western Europe, and in 1890 visited the United States in the same capacity. By contrast, the fortunes of the nationalistic group of composers known as The Five, which preceded the Belyayev circle, had waned, and the group had long since dispersed; of its members, only Nikolai Rimsky-Korsakov remained fully active as a composer. Now a professor of musical composition and orchestration at the Saint Petersburg Conservatory, Rimsky-Korsakov had become a firm believer in the Western-based compositional training that had been once frowned upon by the group.
As a result of the time Tchaikovsky spent with the Belyayev circle's leading composers—Glazunov, Anatoly Lyadov and Rimsky-Korsakov—the somewhat fraught relationship he had previously endured with The Five would eventually meld into something more harmonious. Tchaikovsky's friendship with these men gave him increased confidence in his own abilities as a composer, while his music encouraged Glazunov to broaden his artistic outlook past the nationalist agenda and to compose along more universal themes. This influence grew to the point that Glazunov's Third Symphony became known as the "anti-kuchist" symphony of his oeuvre ("kuchist" refers to "kuchka", the shortened Russian name for The Five) and shared several stylistic fingerprints with Tchaikovsky's later symphonies. Nor was Glazunov the only composer so influenced. Rimsky-Korsakov wrote about the Belyayev composers' "worship of Tchaikovsky and ... tendency toward eclecticism" that became prevalent during this period, along with a predilection toward "Italian-French music of the time of wig and farthingale" (that is, of the 18th Century) typified in Tchaikovsky's late operas The Queen of Spades and Iolanta. (Full article...)
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King Władysław II Jagiełło, detail of the Triptych of Our Lady of Sorrows in the Wawel Cathedral, Kraków
Jogaila was the last pagan ruler of medieval Lithuania. After he became King of Poland, as a result of the Union of Krewo, the newly formed Polish-Lithuanian union confronted the growing power of the Teutonic Order. The allied victory at the Battle of Grunwald in 1410, followed by the Peace of Thorn, secured the Polish and Lithuanian borders and marked the emergence of the Polish–Lithuanian alliance as a significant force in Europe. The reign of Władysław II Jagiełło extended Polish frontiers and is often considered the beginning of Poland's Golden Age. (Full article...)
The current main building of the Moscow State University in Sparrow Hills, Moscow, Russia. Designed by Lev Rudnev and completed by 1953, the 240-metre (790 ft) tall structure was the tallest building in Europe until the completion of the Messeturm in 1990.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
The Bolshoi Theatre is a historic theatre in Moscow, Russia, which holds ballet and opera performances. The company was founded on 28 March [O.S. 17 March] 1776, when Catherine the Great granted Prince Pyotr Urusov a licence to organise theatrical performances, balls and other forms of entertainment. Usunov set up the theatre in collaboration with English tightrope walker Michael Maddox. The present building was built between 1821 and 1824 and designed by architect Joseph Bové.
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
Gorky Park is a park in central Moscow, Russia, inaugurated in 1928 following the use of the site in 1923 for the First All-Russian Agricultural and Handicraft Industries Exhibition. The park was named after the writer and political activist Maxim Gorky. It underwent a major reconstruction in 2011; nearly all the amusement rides and other attractions were removed, extensive lawns and flower beds were created, and new roadways were laid. A 15,000 m2 (160,000 sq ft) ice rink was installed at the same time. This picture shows the colonnaded main portal of Gorky Park.
The Portrait of Chaliapin is an oil-on-canvas painting by Boris Kustodiev, produced in 1921. Feodor Chaliapin was a Russian opera singer; possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses. He is depicted here wearing an expensive fur coat, which had come from a Soviet warehouse containing items confiscated from rich people during the Russian Revolution, and which he had received in lieu of payment for a performance. The background shows festivities at the traditional folk holiday of Maslenitsa. Dressed in a smart suit and holding a cane, Chaliapin is portrayed as having risen above his contemporaries. His favourite dog is at his feet and, at the bottom left, his two daughters stroll on the festive square in front of a poster promoting his concert. This copy of the painting is in the collection of the Russian Museum in Saint Petersburg.
A Chechen man prays during the First Battle of Grozny, January 1995. The flame in the background is coming from a gas pipeline which was hit by shrapnel.
A female Siberian tiger (Panthera tigris altaica), a subspecies of tiger native to Central Asia, and her cub. The Siberian tiger is the largest of the extant tiger subspecies as well as the largest felid, attaining 320 kg (710 lb) in an exceptional specimen. Considered an endangered subspecies, the wild population is down to several hundred individuals and is limited to eastern Siberia.
The Chesme Column is a victory column in the Catherine Park at the Catherine Palace, a former Russian royal residence in Tsarskoye Selo, a suburb of Saint Petersburg. It was erected to commemorate three Russian naval victories in the 1768–1774 Russo-Turkish War, including the Battle of Chesma in 1770. The column is made from three pieces of white-and-pink marble; decorated with the rostra of three ships' bows, and crowned by a triumphal bronze statue depicting a Russian eagle trampling a crescent moon, the symbol of Turkey. Bronze plaques on three sides of the pedestal depict scenes from the battles, and the campaign is described on the plaque on the fourth side.
Maxim Gorky (1868–1936) was a Russian political activist and writer who helped establish the Socialist Realism literary method. This portrait dates from a trip Gorky made to the United States in 1906, on which he raised funds for the Bolsheviks. During this trip he wrote his novel The Mother.
Vasilevsky began his military career during World War I, earning the rank of captain by 1917. After the October Revolution of 1917 and the start of the Civil War of 1917–1922 he was conscripted into the Red Army, taking part in the Polish-Soviet War of 1919–1921. In peacetime he quickly rose through the ranks, becoming a regimental commander by 1930. In this position he showed great skill in organizing and training his troops. Vasilevsky's talent was noticed, and in 1931 he was appointed a member of the Directorate of Military Training. In 1937, following Stalin's Great Purge, he was promoted to become a General Staff officer. (Full article...)
... that after Nadezhda Bantle was exiled to the Russian North, she oversaw the development of the hospital in Nikolskoye to become the most advanced in its region?
... that Russian indie artist polnalyubvi bought her first guitar with money earned from busking with her violin?
... that the founder of the Guide to the Free World, helping people leave Russia after its invasion of Ukraine, said she was told: "It's good that you get out of Russia, but a pity that you won't be shot"?
If the Russian word "perestroika" has easily entered the international lexicon, this is due to more than just interest in what is going on in the Soviet Union. Now the whole world needs restructuring, i.e. progressive development, a fundamental change.
— Mikhail Gorbachev, Perestroika: New Thinking for Our Country and the World
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![Image 9 Bolshoi Theatre Photograph: DmitriyGuryanov The Bolshoi Theatre is a historic theatre in Moscow, Russia, which holds ballet and opera performances. The company was founded on 28 March [O.S. 17 March] 1776, when Catherine the Great granted Prince Pyotr Urusov a licence to organise theatrical performances, balls and other forms of entertainment. Usunov set up the theatre in collaboration with English tightrope walker Michael Maddox. The present building was built between 1821 and 1824 and designed by architect Joseph Bové. More selected pictures](/wiki/File:Moscow-Bolshoi-Theare-1.jpg)
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